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Raveena Tandon performs Maha Ashtami aarti with daughter Rasha

Raveena Tandon took to her Instagram account to share a series of pictures, providing a glimpse into her Maha Ashtami celebrations with family and friends. Her festive moments included her daughter Rasha Thadani and the presence of Bollywood actor Sara Ali Khan. Raveena appeared radiant in a classic red traditional outfit, while her daughter, Rasha, chose a charming yellow embroidered suit. The mother-daughter duo shared a joyful selfie, which Raveena posted in her social media update.

Varun Dhawan and Natasha Dalal To Get Married This Month in Alibaug

According to a report in Pinkvilla, Varun Dhawan and Natasha Dalal will tie the knot on January 24. Yes, just in 10 days Varan and Natasha will exchange wedding vows in front of their families and close friends.   Varun Dhawan’s momma and daddy dearest have already despatched out e-invites asking individuals to dam their dates from January 22 to 25.

What do the Westerners think about Bollywood song

 India had and has a lot to bring to the table to the West to the extent of Music concern. Both the significant types of traditional music: Carnatic and Hindustani were and are famous. In any case, when it came to Hindi movie's music, we impact by the Western-style, score and beat. Until autonomy, in view of Gandhi's Swadeshi and Quit India movements, there was an irregular impact of Western music. Be that as it may, after autonomy, especially during the 1950s, we took to the Western type of music in Hindi movies. In fact, step by step, we began calling the Hindi entertainment world Bollywood, the word style from Hollywood. Many Hindi Music Directors counterfeited Western music At the same time, some of them likewise dominated the Western structure and thought of some great music all alone. In the 1950s, Western-style enormous ensembles got main-stream in the Hindi entertainment world and their chronicle got conceivable. Jazz, Rock 'n Roll, and Disco types entered Hind

Karan Johar to give producer credit to heroines in women-led films

With several women actors proving that they are capable of carrying a film on their shoulders, gender pay disparity has become a talking point in Bollywood. Karan Johar, one of the biggest forces in the Hindi film industry, is taking the lead in making the industry a level playing field. In a first-of-its-kind move, the filmmaker intends to practice the profit-sharing model — a privilege that male superstars have enjoyed so far — with female actors for his forthcoming women-led films. "Soon, a producer credit will be given to [the women headlining the] female-led films because of which they deserve to have a humongous part of the pie. When it comes to female-led films, there has never been a disparity from our end. We have done profit-sharing with them [in the past]," says Johar. While the current slate of his production house has a sole woman-led film in Gunjan Saxena — The Kargil Girl, Johar promises that he is backing powerful stories featuring women protagonists. &q

Gopi Puthran on Mardaani 2: Ideas like this come from real life inspirations

Gopi Puthran says thoughts for films like Mardaani 2 will, in general, originate from some genuine motivations in light of the fact that the horrendous idea of wrongdoings in papers does stun and remain with individuals. "Thoughts for films like Mardaani 2 will, in general, originate from some genuine motivations in view of the terrible idea of violations that you read about in papers, do stun you and remain with you. My film is propelled by different such occurrences that occurred the nation over. Mardaani 2 spotlights on such violations submitted by adolescents, how they are on the ascent the country over and we have to pay regard to this," Puthran said. He included, "The way that underage young men are carrying out such viciousness makes the wrongdoings deadlier and additionally threatening in light of the fact that how would you remember them when they could be strolling, talking or sitting by you and your family. Mardaani 2 features this social issue."

Jackky Bhagnani acquires the rights of the Arabic song, Mi Gna

 Jackky Bhagnani has gained the rights to make the Indian adjustment of the Arabic tune, Mi Gna by Armenian-American DJ Super Sako. "Super Sako's voice and ability are incomparable and 'Mi Gna' is a melody that had me snared to it from the minute I heard it. Meeting him in Los Angeles was the universe contriving to cause this cooperation to occur. I'm eager to work with him," said Jackky. This is for his music mark Jjust Music. Super Sako is anticipating teaming up with the name. "At the point when I met Jackky in Los Angeles, his vision for music and his receptiveness to making new encounters propelled me and I knew right then and there that he would be the best individual to make the Indian adjustment of my melody," he said. The first form had discharged in 2016 and was a chartbuster. The new form of the track will join the rundown of different tunes like Prada and Choodiyan discharged under Jackky's mark.

Yami Gautam: Can't display my talent if not offered meaty parts

In a champion scene in Bala — after she has left her marriage after finding that her significant other is bare — Yami Gautam's character discloses to Ayushmann Khurrana's hero why looks are of most extreme significance to her. Shallow, you'd expect, however the entertainer implants such powerlessness in her part that you profoundly feel for her. "The film was an amalgamation of such a large number of components — a novel type, a comic champion and the pertinence of my job," starts Gautam. While the Khurrana-drove parody is consistently heading towards the Rs 100-crore mark in the cinema world, Gautam has been the unexpected bundle of the film. It is difficult to play a character, who is altogether overwhelmed by her magnificence, without distancing the group of spectators. Be that as it may, Gautam credits chief Amar Kaushik and author Niren Bhatt for making her character Pari charming. "Pari is ditsy and sensational, yet not droll. She is fixated on gr